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JIMIN JEON

Jimin Jeon is a Korean artist from Gumi, who is now based in London.

She graduated from the MA programme at the École cantonale d’art de Lausanne (ECAL) in Switzerland. Prior to that she briefly studied at the Royal College of Art in London and holds a BA from Northumbria University in Newcastle.

Her work explores the presence of the unseen, using materials like wood and paper to reflect on underlying structures and subtle forces.

CONTACT

Information

Education

École cantonale d’art de Lausanne, Switzerland

Northumbria University, UK

Selected Works

Sequence 3

2025
73 x 60 x 1.5 cm
Wood, mulberry paper and cotton thread

Sequence is a series of material compositions formed from familiar materials - wood, thread, and mulberry paper.

Each piece is a reflection on surface and structure. Materials are layered,punctured, and knotted at each intersection to form arrangements offragmented geometries.

The interaction of materials emphasises the quiet persistence of underlying patterns and rhythm in our reading of the gently distorted and incomplete forms.

Sequence 2

2025
24 x 42 x 2.3 cm
Wood, mulberry paper and cotton thread

Sequence is a series of material compositions formed from familiar materials - wood, thread, and mulberry paper.

Each piece is a reflection on surface and structure. Materials are layered,punctured, and knotted at each intersection to form arrangements offragmented geometries.

The interaction of materials emphasises the quiet persistence of underlying patterns and rhythm in our reading of the gently distorted and incomplete forms.

Sequence 1

2025
43.5 x 30 x 2.3 cm,
Wood, mulberry paper and cotton thread

Sequence is a series of material compositions formed from familiar materials - wood, thread, and mulberry paper.

Each piece is a reflection on surface and structure. Materials are layered,punctured, and knotted at each intersection to form arrangements offragmented geometries.

The interaction of materials emphasises the quiet persistence of underlying patterns and rhythm in our reading of the gently distorted and incomplete forms.

Untitled

2025
Oil on paper